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Digging for Courage: Dirt Therapy

The garden was Mary’s domain. I’ve been intimidated to enter it. I’ve been put on notice about treating *her* plants improperly. I let go of some of that today. It’s not easy to take ownership and risk losing blooms that remind us of her. But like everything else, life is for the living. And I know Mary would want nothing more than a vegetable garden tended to by her sons.

We have the opportunity to do so through Winterthur’s Kids Grow program. The boys are veterans of the program, but I’m new to the hard parts. In the past I’ve mostly harvested and eaten their delicious produce.

Due to governmental restrictions, the program must be done from home. This program gets children out into the sun, with their hands in the dirt, strengthening their immune systems. The irrationality of limiting activities like this and all the wonderful summer camps makes me very sad.

But nothing can stop me from doing what is right for myself and my sons. We spent much of the day tackling a half-tended-to flower bed, preparing it for our new vegetable seeds.

The last picture is of sunflowers that are coming up from seeds that were dropped two years ago. Along with some hostas and purple bean plants, they are the only green to survive the prep.

Sunflowers were a favorite of Mary’s, as were the purple bean plants and hostas.

We planted the tomato plants that Winterthur provided and look forward to learning about the wealth of seeds that were sent home with us.

God bless and thank you for reading,

Jason

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Still Blooming

Artifact: a usually simple object (such as a tool or ornament) showing human workmanship or modification as distinguished from a natural object. *especially*: an object remaining from a particular period.
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We shouldn’t take too much credit for Mary’s Magnolia. I recognize God first in its visual beauty and calming aroma.
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This tree has become more than a miracle of God because of humans. Someone brought it to this alien climate and decided to decorate their home decades ago. Half a decade ago, Mary spotted it and something moved in her soul. The tree chose us as much as we chose it.
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Our sons went to work climbing and testing their bravery, going higher with each effort. Jungle gym, tree house, crow’s nest, lookout tower, public announcement platform, or sniper’s perch, their imagination has brought it to life through play.
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Whenever it bloomed, Mary would bring one in the house to enjoy the fragrance. Elaborate and precarious rigs allowed blooms to travel with us on camping trips. It became a source of solace inside our home and when we were away.
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The tree still provides all of these comforts of home. The boys still test themselves and each other among the branches and the blooms still bless our living spaces, wherever they may be.
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It’s more. It’s a memorial to Mary. The May and June blooms always appear first outside our bathroom window, my first view of the day. They remind me that something can be beautiful outside its natural habitat, somewhere it doesn’t belong. A Christian, unschooler, widower, not living in fear of the invisible dangers I watched kill my wife? Yeah, I’m not where I belong. That’s fine, I’ll keep on blooming and growing.
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God bless and thank you for reading,

Jason

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Digging for Courage: C.S. Lewis

A dear friend shared part of this C.S. Lewis essay with me this morning. I just listened to the whole thing. It’s worth 15 minutes of your time. It takes revelations I found as a youth through Joseph Campbell, our oldest myths, and Albert Camus and boils them down to the way I have lead my life for a long time.

It explains much of my response to the latest hysteria. If you have had trouble understanding my actions, if you have insulted my parenting, intelligence, privilege, or concern for humanity, do me a favor and listen to this. If you want to have honest discussion afterward, please comment. If you stand behind your insults, please leave me be.

God bless and thank you for reading,

Jason

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Saturday Dance Gratitudes

  1. Yoga. I don’t slow down easily. Yoga pushes me into an intentional dance with my body. I become my own partner, listening and responding to nonverbal cues that I never heard. There’s a call and response between the soul and the body. I’ve started to learn their languages and better honor these parts of my Self.
  2. Sex. Mind, body, and soul engaged and released in connection with another mind, body, and soul. Moving and responding on levels beyond thought. Acting out love for oneself and another, simultaneously. I lose myself much as I did at the days-long rave or in the mosh pits I shouldn’t have survived, but also as I do in meditation or yoga. I can give my mind a break and act in body and soul. In concert with a lover, moving to all the beats of our hearts.
  3. Parenthood. Children read your moves like dancers. They emulate, follow, push against, swirl, and take the lead. Little of it is graceful, but they dance. It’s often more like jiu-jitsu or boxing than a tango, but they are working with a partner. The dance never stops, but the tune is always new. Sometimes a song will cut off in the middle of the chorus, you’re finishing a well-rehearsed verse and your partner has found an entirely new genre. I’m not very good at that transition. I want to finish the song we started, but my child may not even remember how it went. It’s the hardest and most frustrating 11-year dance of my life; therefore, the most rewarding. Sometimes I nail it. Seamlessly from watching a documentary on the couch to a wresting match to a ball of tears in my arms, sometimes I let go of myself and follow the dance where it needs to go. Often, I step on toes, fall on my ass, and blame my inexperienced partner for my missteps. I try to forgive myself for those moments, but I find that to be the hardest part of loving myself. You can’t try to dance, you’re either dancing or you’re not. I try so hard to be a good parent. The harder I try, the more clunky and self-conscious the dance becomes. It’s a greater challenge after two months of imposed isolation as a single parent. I’m taking a necessary break from that dance this weekend. I am blessed and grateful for the opportunity. I believe my sons are as well. They will reconnect with family and I’ll get to rest (literally) weary legs and (literally) sore feet.
  4. “Trouble In Your Mind,” The Carolina Chocolate Drops. I’ve been singing this line to my boys for years, “Don’t get trouble in your mind.” A total joke as Zerbeys are always cooking up trouble. One day as a toddler, Westen took to charging around the living room, yelling this lyric over and over, head butting every cushion and pillow in the room with insane joy. Up there with potty training with a magazine in his grip, this proved that this was my son.
  5. Wrassling. My boys are boys, through and through. Put on some loud music and start swinging them around the room and they are in instant bliss. Jiu-jitsu isn’t allowed during our play fighting, it’s a lot more WWF than art. We invent moves, naming them as we execute. We size each other up, they get stronger every darn time, and we push each other to physical limits in the most fun and loving ways possible.

God bless and thank you for reading,
Jason

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Friday Dance Gratitudes

1. Westen’s dance with a friend. A widow friend of mine was watching the boys recently and likes to have dance parties. I wasn’t there, but she said Westen agreed to dance with her. It was such a sweet thing, but struck me hard. Mary was very affectionate. She taught me the importance of touch as I had come from a family that didn’t express love in that way. I cannot provide a loving, female touch for my sons. I’m grateful for the friends who will break the rules. I am grateful for those who choose life and love over fear and death.

2. James Brown, Woodstock ’99. Officially the first act of the weekend, we were a little late to the grounds and didn’t have a great spot on the gently sloping hill. “Dude. When the music starts, let’s jump up and crowd surf closer.” Doubt crossed my buddy’s face. “I’m too tall, they’ll never keep me up.” “No way man, just keep hollering so people know you’re coming, if they push you the wrong way, roll towards the stage, trust me.” He didn’t trust me. Brown’s hype man came on and I said, “Okay, I’ll meet you at the tent later.” It was the first time I had crowd surfed during the day and it was a blast. I grooved right towards the stage and, at times, rolled like I was a kid on a hill. I dropped into a dance circle (crowd density will put you in a dance circle or mosh pit, depending) and let loose to a legend. It was the last time I got on top of a crowd. There were some scary moments that weekend. It was my first personal experience of imminently dangerous mob mentality. I’m grateful for my insane adventures, dancing in the middle of a riot (a separate gratitude, perhaps), and an inherent immunity to following the crowd.

3. Seu Jorge, The Trocadero, Philly, 2006. That was the year France knocked a cocky Brazil out of the World Cup. Hours before Mary and I were to see, as it turned out, Brazil’s most disappointed fans.

I can’t recall if there was an opening act or if they were so lackluster as to be forgotten, but I do remember the empty stage that seemed to last for an eternity before Jorge appeared. Nearly half the crowd gave up and eventually left. Mary and I went to the balcony to have a seat, the wait was long. I noticed a man wearing France’s colors, beaming with joy. That was weird, even the die hards still present were getting surly. “Oh no. Honey. The band is Brazilian.” I had watched the game. Truly a devastating loss for a team that had cruised to the quarterfinals. “Even if they come on, they’re probably wasted. Okay, this’ll be a story at least. If they suck we’ll roll out.”

They did suck. Lifeless, shoulders drooped, they shuffled on stage. Mary and I were let down, we had become huge fans after seeing Jorge play Bowie songs in Portuguese in The Life Aquatic With Steve Zissou. Then, like a time lapse video in health class, we watched the healing power of music. It was transfixing. Life crawled back into their bodies. It seemed to take ages, but they started moving to the music. The crowd felt it. We had stayed in the balcony, watching in near disbelief. It became a party. The audience was small, but the energy pendulum swung as high into positivity as it had into negativity. The band entered the crowd and they all swirled to the music. We marveled and moved with the human hurricane from our place in space. It was pure gratitude, healing, and redemption. The band was grateful for those who had stuck it out, the crowd was grateful for the band’s ability to rescue a presumably failed evening, and we were grateful to be a part of this unique moment in concert history.

4. Love Seed Mama Jump, Anson B. Nixon Park, Kennett Square, PA, 2018. Just me and the boys. Nonstop dancing. We had a soccer ball near the stage and bopped and clowned among hula hoopers and kids. No cares. All fun.

5. Hoots and Hellmouth, Mushroom Festival, Kennett Square, PA, 2019. I was the first one on the dance floor. The boys had friends with them and were nearly embarrassed by me. I was feeling myself. Hoots is one of the best foot stomping bands you’ll ever see. I’ve been a fan since their previous West Chester incarnation, Pilot ‘Round the Sun. On our first date as parents, Mary had to “pump and dump” between Hoots sets in 2009.

My friend Lori joined me on the dance floor and I Iike to think we shamed all the twenty-somethings sitting on their duffs. I’m grateful for not giving a darn. I’m grateful for knowing just how short life might be. I’m grateful for the healing power of movement. I’m grateful for every dance.

God bless and thank you for reading,

Jason

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Digging for Courage: At What Cost?

I’m the first to point out that reported child abuse to hotlines would naturally go up as other reporting methods are taken away by the lockdown.

However, these cases seem to be getting worse. ERs are reporting an increase in severe abuse injuries and it only takes a little work on the part of one’s mind and heart to realize that children are being trapped with their abusers.

How are we going to look back at the lockdown? Increased sexual and physical and mental abuse, alcohol consumption, depression and suicide…

Jesus told us to love our neighbors. This doesn’t look like we’re following through.

https://www.npr.org/sections/coronavirus-live-updates/2020/04/28/847251985/child-sexual-abuse-reports-are-on-the-rise-amid-lockdown-orders

God bless and thank you for reading,

Jason

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Dance Memories, Sucka

Our Sunday School leader launched a gratitude project this week and I’m blessed with a daily regimen of gratitudes. I think this is Day 48 of practicing the Wim Hof Method (I’m up to 5 rounds of 30 intentional breaths with an extended retention after the last breath and 4-5 minutes of cold shower each day [I’ve missed 3 or 4 showers]). During the breath retentions and cold shower, I often mentally recite affirmations and thank God for specific blessing in my life.

For my gratitude project, I’m going to focus on important dance memories. Dancing is a spiritual exercise. I am grateful for the moments I’ve let go in movement.

1. Reverend Peyton’s Big Damn Band playing “Lay Your Burden Down” while Isaac was on my shoulders and we were slipping and sliding on muddy ground. It was our first road trip after losing Mary. She and I had seen Rev. Peyton the previous year in Lancaster and danced our front-row butts off.

2. Summer Music Festival at Delaware Art Museum: Mary and the boys and I danced through the entire Spokey Speaky set to close the night. It was mostly kids and we did that careless and carefree dancing that you can only do when adults aren’t getting in the way.

3. Watching the boys, especially Westen, get loose to music at parties, weddings, music festivals, the Lego table, or the kitchen. I often catch him in a little groove while building or helping me with dinner.

4. A slow dance to Sinatra with my girlfriend in the kitchen this past weekend. Her companionship, love, and help has made these months feel more like thriving than surviving.

5. Mountain Jam 2019: A unique experience. The boys will soon be too old and cool to spend that much time dancing with their dad. But dance we did. Front row for Sister Sparrow and the Dirty Birds, Toots and the Maytals, and Michael Franti. All favorites of Mary. We snuck into a VIP show with Franti and the boys ended up on stage for both of his performances. Toots was my first concert and dance with Mary in Dewey Beach. We danced with Sister Sparrow’s sister, Isaac on my shoulders again.
-Isaac and I were the only males in a morning hula hoop workshop.
-We discovered a band called Bella’s Bartok and danced with their hype squad adorned in giant Carnivale-like costumes (them, not us, although the boys played with some props).
-Danced with strangers and made friends (I might have a memoir title there).

God bless and thank you for reading,
Jason

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Mosh, Sucka

Jordan Peterson has this amazing point about nihilistic punks (musically speaking) who go to concerts and dance with a fervor that undermines their insistence that nothing matters. They’re acting out a primal religiosity, enacting an inescapable meaning. I wasn’t a nihilistic punk, but pretty close to it in my teens and twenties. As a scrawny kid in mosh pits and raucous dance floors, it didn’t make sense that I never got hurt. I wasn’t using Christian language, but I would let go and trust that I wasn’t in danger. I wasn’t thinking, but I was experiencing the Holy Spirit.

That might sound crazy, it might sound one step from snake handling (it probably is), but I now have friends who came out of the Christian and Straight Edge hardcore and punk scenes. There are some serious thinkers in that set. Maybe there are immunities to be found in mosh pits. Exposure to germs, togetherness in beat, individuality in dance, a realization that while you may get hurt…most people aren’t out to hurt you, a letting go of ego…although you are surrounded by people…none are really watching…unless you pose a danger.

Exposure outside your comfort zone. Exposure to death, ideas, varied perspectives, tragedy, and as many dangerous things as you can stand. We each have what we know and it is a tiny patch of light surrounded by darkness. When you step one foot into that darkness, your patch of light gets a little bigger. When you lean into the darkness, you start to learn how inifinitely large it is. That’s scary. No matter how awake you are, there is a new monster lurking in the unknown.

God bless and thank you for reading,

Jason

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Dance, Sucka

“Dancing is for those who are free.”
-Scarlett Johansson as Rosie in “Jojo Rabbit”

“You dance differently when you know you won’t live forever.”
-Maeve in Wonder Woman: Warbringer, by Leigh Bardugo

As a complement to the many derivations of my surname (Zerbs, Zerbster, Zerbmeister, a full-throated ZERBEY!, ad infinitum…), Spaz was a common nickname in school, with varying degrees of playfulness and derision.

I’m always moving, dancing in my mind or in the world. Dancing in soccer, mosh pits, conversation, sex, quidditch, wrestling my sons, listening, problem solving, kite flying, hiking, running, thinking, talking, cold showers, and the occasional dance floor.

The sunset above lead into the night of last dance I would share with my wife before she died. We danced like we were free. We danced like we knew we wouldn’t live forever. We always danced like that.

The first time I saw Mary she was dancing with her sisters in a bar in Rehoboth Beach, Delaware. I thought, “Wow, there are some seriously cute hippy lesbians in this town. I wonder how that’s going to work out for me.”

Our first dance was at a Toots and the Maytals concert in neighboring Dewey Beach. I sweat myself right through on that summer evening as we were falling in love.

So often we were in a crowd at a concert or a party. Making friends in the movement, or moving on our own in a room of stodgy WXPN listeners. That was a Carolina Chocolate Drops concert at The Grand in Wilmington. Everyone sat very politely and, well, I don’t know what the hell they were doing. Appreciating the music? It’s dance music from the mountains, a gift from the Appalachian gods to the city folk who couldn’t make their own music (i.e., me and Mary). We moved off to the periphery to not block views and danced so fervently that we ended up on the television broadcast.

I don’t know the importance of dancing with one another. I am contemplating all the memories. My younger son on my shoulders as we pounded the mud and slid on the continous precipice of falling in front of Reverend Peyton’s Big Damn Band, tears flowing with sweat as they played, “Lay Your Burden Down.” Bowie’s “Rock ‘N’ Roll With Me,” as Mary and I shared our first dance as a married couple. My older son easily recalls weddings and music festivals where we danced from the first song to the last. A car alarm can inspire a pogo. A boxing match guarantees an Ali (with a strong chance of a Curly) shuffle. Sinatra came on while I made dinner with my girlfriend and a slow dance break was the most important thing in the world. There have been a hundred mosh pits from Pantera and Slipknot to Marilyn Manson and Nine Inch Nails.

I don’t know how deep this runs. My life is set to the rhythm of dancing with friends, family, strangers, and lovers. It is heart beat. It is transcendent motion. It is outside ego, the untethering of the Self. Spiritual, euphoric, psychedelic. It is beyond reason and words, primordial, pre-lingual, the soul’s cry for return to the Infinite.

When we move together, we are together.

God bless and thank you for reading,
Jason